Accompaniment, Major Triads, Root Movement +-3

There are 24 examples, with two in each of the twelve keys. Each example is denoted by a number corresponding to the starting key in clock notation, and a sign, plus or minus, corresponding to the direction of the first root movement. Thus, the first example, 1+, starts in A (1 in clock notation), and moves up three semitones to C. A bass line is included, using notes from the triads (1-3-5) and occasionally the 6th, which makes a minor 7 sound. The function of each bass note is indicated as a number (1, 3, 5, or 6) above the staff. All examples are in 4/4 and consist of four bars, repeating the two chords once. Thus, the triads making up the 1+ example are A-C-A-C. All examples can be played with a pick only, without having to pluck the strings with the right hand fingers.

Key Chords Clock BPM Audio Tablature
1+ A-C 140 mp3 png pdf gp6
2+ Bb-Db 140 mp3 png pdf gp6
3+ B-D 140 mp3 png pdf gp6
4+ C-Eb 130 mp3 png pdf gp6
5+ Db-E 130 mp3 png pdf gp6
6+ D-F 100 mp3 png pdf gp6
7+ Eb-Gb 110 mp3 png pdf gp6
8+ E-G 140 mp3 png pdf gp6
9+ F-Ab 140 mp3 png pdf gp6
10+ Gb-A 140 mp3 png pdf gp6
11+ G-Bb 140 mp3 png pdf gp6
12+ Ab-B 140 mp3 png pdf gp6
1- A-Gb 140 mp3 png pdf gp6
2- Bb-G 140 mp3 png pdf gp6
3- B-Ab 130 mp3 png pdf gp6
4- C-A 140 mp3 png pdf gp6
5- Db-Bb 120 mp3 png pdf gp6
6- D-B 130 mp3 png pdf gp6
7- Eb-C 140 mp3 png pdf gp6
8- E-Db 140 mp3 png pdf gp6
9- F-D 140 mp3 png pdf gp6
10- Gb-Eb 115 mp3 png pdf gp6
11- G-E 130 mp3 png pdf gp6
12- Ab-F 120 mp3 png pdf gp6